ARTIST LIST
CURRENT SHOW
August 2010
Spirit Flyer
UPCOMING SHOW
MORE UPCOMING SHOWS
October 2010
Illustrious: Martin Hsu, Jade Klara and Nimit Malavia
PREVIOUS SHOWS
July 2010
"Postland"
June 2010
"Postland"
May 2010
"Postland"
APRIL 2010
"Triptick"
MARCH 2010
"Hana to Diamond"
FEBRUARY 2010
"By Land, Sea and Air"
JANUARY 2010
"After Hours"
DECEBER 2009
"Neither Here Nor There"
NOVEMBER 2009
"The Horror Show"
SEPTEMBER 2009
"TEXTBOOK HISTORY"
AUGUST 2009
"SURVIVAL DRIVE"
JULY 2009
"PINK ATTITUDE"
MAY 2009
"UNKL"
APRIL 2009
"IPPEI GYOUBU"
APRIL 2009
"FOUND"
MARCH 2009
"OTSUYA"
FEBRUARY 2009
"JOLIE POUPEE"
JANUARY 2009
"NEW YEARS SHOW"
ARCHIVE
INFO FOR ARTISTS
SUBMITTING ART
FOR CONSIDERATION
If you are interested in showing your artwork at Compound Gallery please contact Matt & Katsu at katsu@compoundgallery.com and matt@compoundgallery.com

MISSION STATEMENT
After years of promoting the American art scene, Compound Gallery has realized that something is missing... independent and underground Japanese artists have no voice here and we want to change that. Each time we travel to Japan, we meet more of these exceptional artists, and are impressed by their innovative, fresh ideas. At the same time, the American art scene is hungry for new and original artists to follow. It is time to expose the American audience to Japanese artworks. It is time to bring together the American art collector and the Japanese artist. This is our goal at Compound Gallery.
POSTERS AT AZ-ART.NET
Death Of A Decadent Shore: Solo Works By Evan B. Harris
August 7th - September 1st 2008 | Reception: August 7th @ 7:00pm | Curated by Matt Wagner
opening

Evan B. Harris www.evanbharris.com

Born among the briars & brambles in backwoods of Medford, Oregon, Evan Benjamin Harris grew up with little knowledge of the bourgeois big city fine arts. So, he dove into the recesses of his own imagination and embraced the fables and folklore that fascinated him. With little to do but draw, he did exactly that. Now older, things haven’t changed much. The stories he created as a child are still present in his paintings. With diligence and hard work, Evan’s crude stick figures became the more clearly defined images you see today. With no formal art training, he creates on his own terms.

Broken boards, oil and acrylic paints, charcoal pastels, plastic resign, and melted waxes are among the mediums Evan uses. Then they are beaten, brushed, sanded, polished, and hung.

Most would cringe at the idea of scratching or sanding something they spent hours upon hours painting, but that’s Evan’s favorite part- creating the appearance that this wasn’t made in the 21st century, maybe in the 20th. So, behind every scratch and claw mark, there is a story to tell.